活着2014

我在美国的时候就被这部电影的名字给吸引了
但是因为语言问题 我没能走进电影院观看这部电影
回来终于等到了有下载 和我想象的有点不同
但是不至于落差很大 还不错的一部电影
用插叙的手法 从出车祸开始 不断插进很多回忆
她的家人都去世了 但是电影最后一秒 她存活了下来
if i stay, what will happen?
noboday knows what will happen next
life is full of possiblities, happiness or sadness,
they are all the reasons make life colorful and meaningful.
if i stay, if i could stay, i wish i coud.

因为看过西语版本的小说兴致勃勃跑来看了翻拍的电影，可能是因为已经仔细阅读了原著，看电影时居然有一种神圣的感觉，像是沿着一条breadcrumb一点点拾掇着原著里的情节。
总体来说，可能画面注定没有文字与生俱来的细腻感，再加上时间限制，电影里的心理活动相比起原著里丝丝入扣的描写明显平淡许多。然而原著里突出的情节在电影里都得到了很好的还原，比如年轻时代朋克风的爸爸妈妈，热爱iggy pop的泰迪小弟，摇滚风的亚当和大提琴家米娅。正如米娅自己说的，是大提琴造就了自己，虽然让她觉得与家庭成员毫不一致，但是也让她感受到了爸爸无私的爱，为了米娅极高的天赋，他选择放弃了乐队。正如他说，有时候，牺牲是必要的。
最后米娅还是在挣扎中醒来，或许是爷爷的释然，或许是好友的鼓励，又或许是亚当的挽留和吉他，总之，醒来后的生活确实是大变样，不过，一切都会好起来的，不是吗？
最后表白男主，青涩的脸庞简直是少女心扑通，玩音乐果真是大大的魅力加分项。

说起这部电影我真的要说超杀女能如此安静，这转型真的有点吓了一跳，表现很出色，而且为了演好这个角色专门学习了大提琴真的是很用心的演员。
电影其实没有什么大的看头，最大的噱头在前文也已经说过了。抛开生死设定就是纯纯的纯爱青春片，故事一切显得那么平淡，那么简单。利用生死和女主人公的情感起伏来推动电影的发展主，人公的领悟与主人公死后魂魄不散的回忆想结合一点点的前进慢慢懂得了生活的真谛，然后就没有然后来。
电影的画面唯美整体给人的感觉很清新，很干净，就连出车祸的场景中也是如此。故事台词和场景设计给人感觉到爱情的那种单纯地味道，故事推动的发展比较贴近人们的生活，有种感觉这样的类似的内容就在我的身边带一些共鸣感，值得去试一试。
电影是一部音乐很用心的电影，不多赘述，直接找原声听就好，民谣，平静，欢快，简答，音乐给我的感觉。
一句话说感受：妹子看看吧！

We, grown-ups, seems to be stubbornly convinced that young adult stories are stupid, and only teenagers themselves will be silly enough to fall in love with this kind of "so-called" romantic novels.
For that we already knew the transitory characteristic of love. We understand it, crystal clear, right from the beginning of the film that their love story might not even live through the winter, they are not going to survive the long distance after high school, not to mention that the post-traumatic stress our heroine must deal with as long as she wake up after the car accident(, though this is the story in its sequel 'Where She Went'). We know that, time itself might bring an end to the relationship between this young man and this young woman.

But, is it not the most beautiful part of every teenager love story, or of puberty? What make those young children, those teenager boys and girls so attracting is that they take their pure love, their approaching departure, their breakup as this important that their hearts are tortured by whips for thousands of times. The pain is all that matters, that hurts, that suffocates, and they think they will never get through this. They struggle, they quarrel, they cry, they reconcile with each other, as love and pain remains the only theme of their adolescence.

They do not know now, but they will understand it one day, that all these love and pain, joy and suffering will become a memory with bitter sweets or even a memory with no colour, a memory that brings back no sensation. However, this never counteract the real experience they are right now undergoing. All these hurts, all these emotions, all these tears are once so real, that almost break their hearts or already broke them. They live in drama, not because they are affected, but their lives are filled with dramatic conflicts.

Not until the puberty ends, along with the death of drama, will these whole true life-play come to a termination.
Then, teenage love, which is so void but sincere, dies alongside with it.

    车祸发生的太早，观众和一家人的情感尚未完全建立，再加上毫发无损的Chloë Grace Moretz好好的站在那里，所以心痛的代入感不强烈。
    Mia的抢救，用再多术语，说得再严重都没用，因为她就在那里，毫无痛苦。只是焦急得看着这一切的发生。
    其实这是一个幸运的女孩，有最好的亲情，最好的友情，以及最好的爱情，却遭遇到灭门的灾难，原本是最好的复杂情绪引发情感共鸣的契机，可惜没有达成。
    传统难免保守，叛逆多少偏激。Mia父母，一个是摇滚少年，一个是叛逆少女。居然分分钟变成居家楷模。从不认为自己的牺牲是牺牲，是因为是用它换取了更想要的东西。爸爸卖掉爵士鼓，买了大提琴，是因为有些人的快乐，比他自己的快乐更能让他快乐；有些人的幸福，比他自己的幸福更能让他幸福。
    爱情永远是青少年电影的主角，但本片中亲情绝对占了上风，即便Adam相当完美。爱情永远不会像亲情一样无偿付出，单向付出是爱情的杀手。两人都有梦想，也都知道对方的梦想。梦想是让他们强大的原因，也是他们会相互吸引的原因，但最后成为了他们必须分开的原因。
    Mia最后选择回归人世，而不是撒手人寰，是电影的需要。影片在她睁眼一刻戛然而止。是因为无法想象之后能如何继续？失去全部家人的Mia，会不会继续求学？面对成为孤儿又外出求学的Mia，Adam会不会放弃乐队相随？十年后一个蜚声国际的爱乐乐团首席大提琴手，和一个人到中年除了弹吉他什么都不会的家庭妇男又会发生什么故事。