天涯沦落两心知

It begins with the king as a boy, having to spend the night alone in the forest to prove his courage so he can become king. Now while he is spending the night alone he's visited by a sacred vision. Out of the fire appears the holy grail, symbol of God's divine grace. And a voice said to the boy, "You shall be keeper of the grail so that it may heal the hearts of men." But the boy was blinded by greater visions of a life filled with power and glory and beauty. And in this state of radical amazement he felt for a brief moment not like a boy, but invincible, like God, so he reached into the fire to take the grail, and the grail vanished, leaving him with his hand in the fire to be terribly wounded. Now as this boy grew older, his wound grew deeper. Until one day, life for him lost its reason. He had no faith in any man, not even himself. He couldn't love or feel loved. He was sick with experience. He began to die. One day a fool wandered into the castle and found the king alone. And being a fool, he was simple minded, he didn't see a king. He only saw a man alone and in pain. And he asked the king, "What ails you friend?" The king replied, "I'm thirsty. I need some water to cool my throat". So the fool took a cup from beside his bed, filled it with water and handed it to the king. As the king began to drink, he realized his wound was healed. He looked in his hands and there was the holy grail, that which he sought all of his life. And he turned to the fool and said with amazement, "How can you find that which my brightest and bravest could not?" And the fool replied, "I don't know. I only knew that you were thirsty."

因为些原因断断续续看了有三个星期，这个披着奇幻故事的外衣的电影给我带来了很深的感触，不但没有俗套的步入荒诞的叙事，反而将一个精神失常却充满美好纯真的人塑造的如此可爱。 罗宾在荧幕上总能焕发着如孩童般的活力，蓄着浓密的胡却不展露一丝戾气，充满温情的目光已经不是第一次打动我了。能像一个孩子一样光着屁股在中央公园里接受月光的涤洗，还有真挚地讲述渔王的故事时流露出的稚气，之前从未有一个演员能让我感受到那种引起共鸣的真实感受。

他的眼睛是这么的让我心痛

我总觉得督爷身上有种别样的忧郁气质，不同于贝尔散发的忧郁那般富有思想的深邃，却显露出经历生活，历经挫难后的人生顿悟。在电影中表达的忏悔来的突然，可能会太过突兀，但是与其说是表演，还是不如是普罗大众的真实显现。突然的打击使你陷入低谷，努力而不见结果时怀疑自我，最后甩手放弃，但也在一次又一次考验面前找寻到真谛。

仅仅是一则虚幻的神话故事，可它讲述的是平淡的生活，增添的是难以言表的体会。

疫情后第一次进电影院就是这次上影节了，来得有点晚。

圣杯、红骑士，诡谲幻境mix现实困境，恐怖荒诞又饱含深情，绝的是笑点也对味儿。

91年的这部电影的疯狂大胆放在今天也是少见的。

这部电影的底色是沉重的、悲剧的、现实的，但混入了荒诞而又充满幻想的情节后，并没有淡化这种现实悲剧感，更像是没有中和咖啡苦味的糖，让这杯饮品更有风味了。

这部也是喜剧，笑点也是我喜欢的，浓郁的色调带着上世纪的浪漫，中餐厅和街头的畅怀大笑场景，还有车站变身交谊舞会现场时爱情的浪漫与寻觅，都是我的爱。

这部电影也是鸡汤的，抚慰人心，安慰着被伤害过的人，虽然荒诞，但所含的感情又那样真实。