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林克莱特目前的三部动画片,几乎都在视觉层面达成了混沌感——线条笔触的抽动、变形、扭曲,以致人物形态的变异。初始观看很容易被绘画转换形式吸引,但大部分观众应该很快疲劳——场景大都简易得似乎缺乏想象力,更多地是在重复不太流畅感的画面。所以,是否视觉的建构并非林克莱特的主要侧重?(但也不可否认部分的视效也是奏效的。)
相较之下,《阿波罗》有明确主题、呈现内容清晰直白,故《半梦半醒》与《黑暗扫描仪》构思创作的出发点要更为接近:它们没有实质的内容表达,只有语气片段的构成(也在影片中直接坦白)。
细分其中主导观看的对话语气,大致有两类:第一种,有意地让对话陈列产生沉浸感,像是kramer电影中的访谈片段,引导性地创建舒适的对话氛围进而触动观众,机制比较基础。第二种,随性的、不带有表现性的语气输出,它更接近人物日常状态下语音的发出,看似没有什么特别的,但在这样对话强度较高的听觉式电影中,它便变得突出(《黑暗扫描仪》相对更多。)第二种对话语气使得观看某种程度上高于第一种的沉浸式,它让电影变得更加,更加随性自由。
So what do you think of my little vessel?
She's what we call "see-worthy." S-E-E. See with your eyes
I feel like my transport should be an extension of my personality.
Voila. And this? This is like my little window to the world, and every minute, it's a different show.
Now, I may not understand it. I may not even necessarily agree with it.
But I'll tell you what, I accept it and just sort of glide along. You want to keep things on an even keel I guess is what I'm saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. Saves on introductions and good-byes. The ride does not require an explanation. Just occupants. That's where you guys come in. It's like you come onto this planet with a crayon box.
Now, you may get the 8 pack, you may get the 16 pack. But it's all in what you do with the crayons,the colors that you're given. Don't worry about drawing within the lines or coloring outside the lines.
I say color outside the lines. Color right off the page. Don't box me in. We're in motion to the ocean. We are not landlocked, I'll tell ya that.
The reason why I refuse to take existentialism as just another French fashion or historical curiosity is that I think it has something very important to offer us for the new century. I 'm afraid we're losing the real virtues of living life passionately, the sense of taking responsibility for who you are,the ability to make something of yourself and feeling good about life. Existentialism is often discussed as if it's a philosophy of despair. But I think the truth is just the opposite.
Sartre once interviewed said he never really felt a day of despair in his life.
But one thing that comes out from reading these guys is not a sense of anguish about life so much as a real kind of exuberance of feeling on top of it. It's like your life is yours to create. I've read the post modernists with some interest, even admiration.
But when I read them, I always have this awful nagging feeling that something absolutely essential is getting left out. The more that you talk about a person as a social construction or as a confluence of forces or as fragmented or marginalized, what you do is you open up a whole new world of excuses. And when Sartre talks about responsibility,he's not talking about something abstract.
He's not talking about the kind of self or soul that theologians would argue about. It's something very concrete. It's you and me talking. Making decisions. Doing things and taking the consequences. It might be true that there are six billion people in the world and counting. Nevertheless, what you do makes a difference. It makes a difference, first of all, in material terms. Makes a difference to other people and it sets an example.
In short, I think the message here is that we should never simply write ourselves off and see ourselves as the victim of various forces. It's always our decision who we are.
Creation seems to come out of imperfection. It seems to come out of a striving and a frustration. And this is where I think language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. And it had to be easy when it was just simple survival. Like, you know, "water." We came up with a sound for that. Or, "Saber-toothed tiger right behind you." We came up with a sound for that. But when it gets really interesting, I think,is when we use that same system of symbols to communicate all the abstract and intangible things that we're experiencing. What is, like, frustration? Or what is anger or love? When I say "love,"the sound comes out of my mouth and it hits the other person's ear, travels through this Byzantine conduit in their brain,you know, through their memories of love or lack of love,and they register what I'm saying and say yes, they understand. But how do I know they understand? Because words are inert. They're just symbols. They're dead, you know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It's unspeakable. And yet, you know, when we communicate with one another, and we feel that we have connected,and we think that we're understood, I think we have a feeling of almost spiritual communion.
And that feeling might be transient, but I think it's what we live for.
If we are looking at the highlights of human development, you have to look at the evolution of the organism and then at the development of its interaction with the environment. Evolution of the organism will begin with the evolution of life perceived through the hominid coming to the evolution of mankind. Neanderthal, Cro-Magnon man. Now, interestingly, what you are looking at here are three strings: biological, anthropological, development of the cities, cultures and cultural, which is human expression. Now, what you are seen here is the evolution of populations, not so much the evolution of individuals. And in addition, if you look at the time scales that's involved here two billion years for life, six million years for the hominid, 100,000 years for mankind as we know it, you're beginning to see the telescoping nature of the evolutionary paradigm. And then when you get to agricultural, when you get to scientific revolution and industrial revolution, you're looking at 10,000 years, 400 years, 150 years. You're seeing a further telescoping of this evolutionary time. What that means is that as we go through the new evolution, it's gonna telescope to the point we should be able to see it manifest itself within our lifetime, within this generation. The new evolution stems from information, and it stems from two types of information: digital and analog.
The digital is artificial intelligence.
The analog results from molecular biology, the cloning of the organism. And you knit the two together with neurobiology. Before on the old evolutionary paradigm, one would die and the other would grow and dominate. But under the new paradigm, they would exist as a mutually supportive, noncompetitive grouping. Okay, independent from the external. And what is interesting here is that evolution now becomes an individually centered process, emanating from the needs and the desires of the individual, and not an external process, a passive process where the individual is just at the whim of the collective. So, you produce a neo-human with a new individuality and a new consciousness. But that's only the beginning of the evolutionary cycle, because as the next cycle proceeds, the input is now this new intelligence. As intelligence piles on intelligence, as ability piles on ability, the speed changes. Until what? Until you reach a crescendo in a way could be imagined as an enormous instantaneous fulfillment of human, human and neo-human potential. It could be something totally different. It could be the amplification of the individual,the multiplication of individual existences.
Parallel existences now with the individual no longer restricted by time and space. And the manifestations of this neo-human-type evolution, manifestations could be dramatically counter-intuitive. That's the interesting part. The old evolution is cold. It's sterile. It's efficient, okay? And its manifestations are those social adaptations. You're talking about parasitism, dominance, morality, okay? Uh, war, predation, these would be subject to de-emphasis. These would be subject to de-evolution. The new evolutionary paradigm will give us the human traits of truth, of loyalty, of justice, of freedom. These will be the manifestations of the new evolution. That is what we would hope to see from this. That would be nice.
A self-destructive man feels completely alienated, utterly alone. He's an outsider to the human community. He thinks to himself, "I must be insane." What he fails to realize is that society has, just as he does, a vested interest in considerable losses and catastrophes. These wars, famines, floods and quakes meet well-defined needs. Man wants chaos. In fact, he's gotta have it. Depression, strife, riots, murder, all this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things, painting them up as great human tragedies. But we all know the function of the media has never been to eliminate the evils of the world, no. Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers. Hey, you got a match? And they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. You want the puppet on the right or the puppet on the left? I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes.
Let my own lack of a voice be heard.
I keep thinking about something you said. - Something I said?
- Yeah. About how you often feel like you're observing your life from the perspective of an old woman about to die. - You remember that?
- Yeah. I still feel that way sometimes. Like I'm looking back on my life. Like my waking life is her memories.
Exactly. I heard that Tim Leary said as he was dying that he was looking forward to the moment when his body was dead, but his brain was still alive. They say that there's still 6 to 12 minutes of brain activity after everything is shut down. And a second of dream consciousness, right, well, that's infinitely longer than a waking second. - You know what I'm saying?
- Oh, yeah, definitely. For example, I wake up and it's 10:12, and then I go back to sleep and I have those long, intricate, beautiful dreams that seem to last for hours, and then I wake up and it's 10:13. Exactly. So then 6 to 1 2 minutes of brain activity,I mean, that could be your whole life. I mean, you are that woman looking back over everything. Okay, so what if I am? Then what would you be in all that? Whatever I am right now. I mean, yeah, maybe I only exist in your mind. I'm still just as real as anything else. Yeah.
- I've been thinking also about something you said.
- What's that?
Just about reincarnation and where all the new souls come from over time. Everybody always say that they've been the reincarnation of Cleopatra or Alexander the Great.
I always want to tell them they were probably some dumb fuck like everybody else. I mean, it's impossible. Think about it. The world population has doubled in the past 40 years, right? - So if you really believe in that ego thing of one eternal soul, then you only have a 50% chance of your soul being over 40. And for it to be over 150 years old, then it's only one out of six. So what are you saying then? Reincarnation doesn't exist or that we're all young souls like where half of us are first-round humans? No, no. What I'm trying to say is that somehow I believe reincarnation is just a poetic expression of what collective memory really is. There was this article by this biochemist that I read not long ago, and he was talking about how when a member of a species is born, it has a billion years of memory to draw on. And this is where we inherit our instincts. I like that. It's like there's, um, this whole telepathic thing going on that we are all a part of, whether we are conscious of it or not.
That would explain why there's all these, you know, seemingly spontaneous, worldwide, innovative leaps in science, in the arts.
You know, like the same results poppin' up everywhere independent of each other. Some guy on a computer, he figures something out, and then almost simultaneously, a bunch of other people all over the world figure out the same thing.
They did this study. They isolated a group of people over time, and they monitored their abilities at crossword puzzles in relation to the general population. And then they secretly gave them a day-old crossword, one that had already been answered by thousands of other people. Their scores went up dramatically, like 20 percent. So it's like once the answers are out there, you know, people can pick up on them. It's like we're all telepathically sharing our experiences.
I'll get you motherfuckers if it's the last thing I do.
Oh, you're gonna pay for what you did to me. For every second I spend in this hellhole, I'll see you spend a year in living hell!
Oh, you fucks are gonna beg me to let you die. No, no, not yet. I want you cocksuckers to suffer. Oh, I'll fix your fuckin' asses, all right. Maybe a long needle in your eardrum. A hot cigar in your eye. Nothing fancy. Some molten lead up the ass.
Ooh! Or better still, some of that old Apache shit. Cut your eyelids off. Yeah. I'll just listen to you fucks screaming.
Oh, what sweet music that'll be. Yeah. We'll do it in the hospital. With doctors and nurses so you pricks don't die on me too quick. You know the best part? The best part is you dick-smoking faggots will have your eyelids cut off,so you'll have to watch me do it to you, yeah. You'll see me bring that cigar closer and closer to your wide-open eyeball till you're almost out of your mind. But not quite,cause I want it to last a long, long time. I want you to know that it's me, that I'm the one that's doing it to you.Me! And that sissy psychiatrist?What unmitigated ignorance! That old drunken fart of a judge!What a pompous ass! Judge not, lest ye be judged! All of you pukes are gonna die the day I get out of this shithole! I guarantee you'll regret the day you met me!
In a way, in our contemporary world view, it's easy to think that science has come to take the place of God. But some philosophical problems remain as troubling as ever. Take the problem of free will. This problem's been around for a long time, since before Aristotle in 350 B.C. St. Augustine, St. Thomas Aquinas, these guys all worried about how we can be free if God already knows in advance everything you're gonna do. Nowadays we know that the world operates according to some fundamental physical laws, and these laws govern the behavior of every object in the world. Now, these laws, because they're so trustworthy, they enable incredible technological achievements. But look at yourself. We're just physical systems too. We're just complex arrangements of carbon molecules. We're mostly water, and our behavior isn't gonna be an exception to basic physical laws. So it starts to look like whether it's God setting things up in advance and knowing everything you're gonna do, or whether it's these basic physical laws governing everything. There's not a lot of room left for freedom. So now you might be tempted to just ignore the question, ignore the mystery of free will. Say, "Oh, well, it's just an historical anecdote. It's sophomoric. It's a question with no answer. Just forget about it." But the question keeps staring you right in the face. You think about individuality, for example, who you are. Who you are is mostly a matter of the free choices that you make. Or take responsibility. You can only be held responsible, you can only be found guilty or admired or respected for things you did of your own free will. The question keeps coming back, and we don't really have a solution to it. It starts to look like all your decisions are really just a charade. Think about how it happens. There's some electrical activity in your brain. Your neurons fire. They send a signal down into your nervous system. It passes along down into your muscle fibers. They twitch. You might, say, reach out your arm. Looks like it's a free action on your part,but every one of those- every part of that process is actually governed by physical law:chemical laws, electrical laws and so on. So now it just looks like the Big Bang set up the initial conditions, and the whole rest of our history, the whole rest of human history and even before, is really just sort of the playing out of subatomic particles, according to these basic fundamental physical laws. We think we are special. We think we have some kind of special dignity,but that now comes under threat. I mean, that's really challenged by this picture. So you might be saying, "Well, wait a minute. What about quantum mechanics? "I know enough contemporary physical theory to know it's not really like that. "It's really a probabilistic theory. There's room. It's loose. It's not deterministic." And that's gonna enable us to understand free will. But if you look at the details, it's not really gonna help, because what happens is you have some very small quantum particles, and their behavior is apparently a bit random.
They swerve. Their behavior is absurd in the sense that it's unpredictable, and we can't understand it based on anything that came before. It just does something out of the blue, according to a probabilistic framework. But is that gonna help with freedom? Should our freedom just be a matter of probabilities, just some random swerving in a chaotic system? That just seems like it's worse. I'd rather be a gear in a big deterministic, physical machine than just some random swerving. So we can't just ignore the problem.
We have to find room in our contemporary world view for persons,with all that that it entails; not just bodies, but persons. And that means trying to solve the problem of freedom, finding room for choice and responsibility and trying to understand individuality.
You can't fight city hall, death and taxes. Don't talk about politics or religion. This is all the equivalent of enemy propaganda rolling across the picket line. " Lay down, G.I. Lay down, G.I." We saw it all through the 20th Century. And now in the 21st Century, it's time to stand up and realize that we should not allow ourselves to be crammed into this rat maze. We should not submit to dehumanization. I don't know about you, but I'm concerned with what's happening in this world. I'm concerned with the structure. I'm concerned with the systems of control, those that control my life and those that seek to control it even more! I want freedom! That's what I want! And that's what you should want! It's up to each and every one of us to turn loose and just shovel the greed, the hatred, the envy and, yes, the insecurities, because that is the central mode of control-- make us feel pathetic, small, so we'll willingly give up our sovereignty, our liberty, our destiny. We have got to realize that we're being conditioned on a mass scale. Start challenging this corporate slave state! The 21st Century is gonna be a new century, not the century of slavery, not the century of lies and issues of no significance and classism and statism and all the rest of the modes of control! It's gonna be the age of humankind standing up for something pure and something right!
What a bunch of garbage-- liberal Democrat, conservative Republican. It's all there to control you. Two sides of the same coin. Two management teams bidding for control! The C.E.O. job of Slavery, Incorporated! The truth is out there in front of you, but they lay out this buffet of lies! I'm sick of it, and I'm not gonna take a bite out of it! Do you got me? Resistance is not futile. We're gonna win this thing. Humankind is too good! We're not a bunch of underachievers! We're gonna stand up and we're gonna be human beings! We're gonna get fired up about the real things, the things that matter: creativity and the dynamic human spirit that refuses to submit! Well, that's it! That's all I got to say! It's in your court.
The quest is to be liberated from the negative, which is really our own will to nothingness. And once having said yes to the instant, the affirmation is contagious. It bursts into a chain of affirmations that knows no limit. To say yes to one instant is to say yes to all of existence.
The main character is what you might call "the mind."
It's mastery, it's capacity to represent.
Throughout history, attempts have been made to contain those experiences which happen at the edge of the limit where the mind is vulnerable.
But I think we are in a very significant moment in history.
Those moments, those what you might call liminal, limit, frontier, edge zone experiences are actually now becoming the norm.
These multiplicities and distinctions and differences that have given great difficulty to the old mind are actually through entering into their very essence, tasting and feeling their uniqueness.
One might make a breakthrough to that common something that holds them together.
And so the main character is, to this new mind, greater, greater mind.
A mind that yet is to be.
And when we are obviously entered into that mode, you can see a radical subjectivity, radical attunement to individuality, uniqueness to that which the mind is, opens itself to a vast objectivity.
So the story is the story of the cosmos now.
The moment is not just a passing, empty nothing yet.
And this is in the way in which these secret passages happen.
Yes, it's empty with such fullness that the great moment, the great life of the universe is pulsating in it.
And each one, each object, each place, each act leaves a mark.
And that story is singular.
But, in fact, it's story after story.
Time just dissolves into quick-moving particles that are swirling away.
Either I'm moving fast or time is. Never both simultaneously.
It's such a strange paradox. I mean, while, technically, I 'm closer to the end of my life than I've ever been, I actually feel more than ever that I have all the time in the world. When I was younger, there was a desperation, a desire for certainty, like there was an end to the path, and I had to get there. I know what you mean because I can remember thinking, "Oh, someday, like in my mid-thirties maybe, everything's going to just somehow jell and settle, just end." It was like there was this plateau, and it was waiting for me, and I was climbing up it, and when I got to the top, all growth and change would stop. Even exhilaration. But that hasn't happened like that, thank goodness. I think that what we don't take into account when we are young is our endless curiosity. That's what's so great about being human. - You know that thing Benedict Anderson says about identity?
- No. Well, he's talking about like, say, a baby picture. So you pick up this picture, this two-dimensional image, and you say, "That's me." Well, to connect this baby in this weird little image with yourself living and breathing in the present, you have to make up a story like, "This was me when I was a year old, and later I had long hair, and then we moved to Riverdale, and now here I am." So it takes a story that's actually a fiction to make you and the baby in the picture identical to create your identity. And the funny thing is, our cells are completely regenerating every seven years. We've already become completely different people several times over,and yet we always remain quintessentially ourselves.
Our critique began as all critiques begin:with doubt.
Doubt became our narrative.
Ours was a quest for a new story, our own.
And we grasp toward this new history driven by the suspicion that ordinary language couldn't tell it.
Our past appeared frozen in the distance, and our every gesture and accent signified the negation of the old world and the reach for a new one.
The way we lived created a new situation, one of exuberance and friendship, that of a subversive microsociety in the heart of a society which ignored it.
Art was not the goal but the occasion and the method for locating our specific rhythm and buried possibilities of our time.
The discovery of a true communication was what it was about, or at least the quest for such a communication.
The adventure of finding it and losing it.
We the unappeased, the unaccepting continued looking, filling in the silences with our own wishes, fears and fantasies.
Driven forward by the fact that no matter how empty the world seemed, no matter how degraded and used up the world appeared to us, we knew that anything was still possible.
And, given the right circumstances, a new world was just as likely as an old one.
There are two kinds of sufferers in this world: those who suffer from a lack of life and those who suffer from an overabundance of life.
I've always found myself in the second category.
When you come to think of it, almost all human behavior and activity is not essentially any different from animal behavior.
The most advanced technologies and craftsmanship bring us, at best, up to the super-chimpanzee level.
Actually, the gap between, say, Plato or Nietzsche and the average human is greater than the gap between that chimpanzee and the average human.
The realm of the real spirit, the true artist, the saint, the philosopher, is rarely achieved.
Why so few?
Why is world history and evolution not stories of progress, but rather this endless and futile addition of zeroes?
No greater values have developed.
Hell, the Greeks 3,000 years ago were just as advanced as we are.
So what are these barriers that keep people from reaching anywhere near their real potential?
The answer to that can be found in another question, and that's this: Which is the most universal human characteristic - fear or laziness?
What are you writing?
A novel.
What's the story?
There's no story.
It's just people, gestures, moments, bits of rapture, fleeting emotions.
扯淡的路上,林克莱特走得很远
竟能听懂全部人所说的,并且还有机会嘲笑其中至少三分之一.这些并非极深的哲理,使用了演讲的方式来料理,虽然有时也跟不上他们的节奏,但其中深意却已为我们所理解:就是观念而已.关于自由意志、灵魂转生、量子理论、社会结构和进化论等的观点无触动,倒是自焚的人、开船车的人和监狱诅咒最得我心
大概根据实际影像处理的动画,看不下去
大概世界上最沉闷的动画片,除了梦中梦的结构,剩下的全是“哲学课式”的对话。但是这片子倒是让我想起了刚上大学那会儿的情形,就像片中那个主人公一样,我每天都几乎一言不发地听别人讲一大堆理论(一套一套的,听起来都很有道理,但是仔细想一下,又好像什么也没讲),然后在夜里做各种奇怪的梦。
“也许我们对时间的感知只是一种幻觉。事实上,我们的整个人生和历史只是一个永恒的瞬间”。又是Richard Linklater的标志性哲理对话性独立电影。我发觉在我看过的这三部他作品里面,他在国内最负盛名的那部《Before Sunrise》是最差的。也许是《Slacker》和《Waking Life》的对白太过深奥,一般人看不懂吧。这个人已经开始逐渐变成我最饭的独立导演。
感觉这是林克莱特的精神呓语,生活中总是会有各种困惑、各种稀奇古怪的想法,难得的是林克莱特将它具象出来了。信息量好大,每次低头咬一口西瓜都错过很多内容---足见话唠程度---
说实话,最初我对这部电影没太多好感,虽然这种真人拍摄转制动画的方式我一直挺喜欢的,但一轮接一轮的梦,一轮接一轮的大道理,就算再有意思的话题也会让人心生烦闷的。但到了最后,还是打脸喜欢上了,尤其是PKD一出来,想表达的主题突然立体了,也好理解了,亲切了。
非常特别的片子,将拍好的真人场景再由动画制作室改成动画。全片充满荒诞又不乏现实感的诗意,以及大量关于梦与现实、生活、存在主义、死亡、自由意志、社会规则、电影与文学、集体记忆的对白。虽然中间差点也“半梦半醒”了,但还是要强力推荐!爱思考人生、钟爱哲学的友友必看!
我不明白为什么要选择CG动画的方式来处理这个题材,在我看来,片中大多数场景和画面甚至可以忽略掉,光听一下那些谈话就足够了。也许读读剧本更有感觉,不觉得画面起到了很大作用。这个题材用真人电影或者真人动画可能会更有感觉,那样才有超现实主义的味道。本片我猜是前期真人拍摄然后再CG重新绘图。
很多地方看不懂,所以就不便評分了。總的來說,這是一部非常非常深奧,可是又很睿智的電影,探究人生、我、夢還有生活等等。問題是,我們有必要對自己的人生進行如此的嚴肅的審視嗎?也許。只是我覺得每個人對自己的人生都有不同方式的挖掘,這是其中一個方向而已。我純粹是沖著J和C的結局而來。
喝杯浓茶,打起精神,继续再看。年度奇片,哲学教材 !7.3
I keeps waking up while watching this
探戈搭配对话,片头说的演奏上slightly detached, a little wavy, slightly out of tune也正是影像的质地。电影用frame启发观众发现holy moment, boat司机说的那番话挺阿巴斯的,无论是从电影还是人生的角度。无尽的梦是死亡,还是,无梦的睡眠是死亡?片中的梦境神神叨叨得令人羡慕,个人经验是梦中一般不这么话痨,也不会在梦里看到自己,train yourself to recognize a dream还是挺难的
爱在系列隐藏的第1.5部。我也好想找人每天跟我神侃一些有的没的不着边际的话题啊,什么文学艺术科学哲学,大家每天一起瞎逼逼多开心啊,再不然每天聊八卦也好啊,昨天文章马伊琍,今天奶茶刘强东,明天单位狗男女。(ps.大头,这对你来说就是不知所云的话痨电影,请勿观赏)
林克莱特你真会玩儿,这你都能拍。基本上可以当成初级哲学的动画解说,人存在吗,现实存在吗,你怎么知道自己不是身处梦中。跟上片中人物的思考速度应该不是难事,那样就会发现我们以为理所当然的东西其实都很难站得住脚。
按车轨边青年的说法,lucid dream大概不算梦?但是像我现在,就已经很少做那些没法控制,完全沉溺的梦了。通常梦开始没多久就会被意识到是在做梦,直接导演剧情,甚至都不用学主人公找个开关来验证。按照弗洛伊德引用Vaschide的说法,大概就是,想睡觉的愿望被其他愿望(比如说观察和享受自己的梦境)取代, wish-fulfilment以另一种方式进行。片里萨满是把lucid dream看作珍惜想象力的一种方式,但应该还有一方面是恐惧吧,恐惧失去控制,被卷入无法左右的梦域和情绪(Melanie Klein也有类似观点)。另外一点,主角穿越各种场景的floating是弗洛伊德的典型梦境之一,除了性行为暗示(erections or emission),还是一种退到童稚状态的,无干扰的愉悦感
我不该在困乏的时候看它……
每晚梦境灾难大片奇异考夫曼,一醒来过的跟劣质自我中心白水欧洲片似的,情愿活在关不掉开关的世界里。
大型新媒介云吸毒,花60块飞99分钟,上天入地,叨念人生。
真人拍摄,动画呈现,形式非常独特;哲学电影,梦的解析,内容非常深刻。