宝贝小情人2

All of a sudden, comes into my life piles of works of the 80s, the 80s that I'd never been lived through, the 80s becomes so fascinating to me all because of a person and a time.

I wrote, "the kind of story I would never forget" and that was over two years ago.

If movies from the 80s tell limitless imaginations of the great advanturers, movies from the 90s tell warm and sound love of the ordinary.

I find home in the first movie, also in this sequel. I saw S in Thomas and myself in Vada, the same way I now see him and his friends in Mike and his gang. Bet it would be real nice to live through both the 80s and the 90s, when there is no scheme, no guessing game, no lie, no job market crisis, no trust issue, no psychological break down, no ghost or phantom, no obsession, no dystopia or apocalypse. It has always been so as Charles Dickens says--Darkness is cheap.

The shop owned by Hillary Mitchell is called "Tima after time". Sentimentality overflows, connecting with that vantage shop of a psychic with the ballroom door that Eleven comes through, connecting with the haunted Crystal Ballroom full of cold souls memories philosophies rain wood floor ancient piano replaying "everything but you".

So two years later, two decades later, samsara to the live reveals all kinds of metaphorical death.

十几二十年前在CCTV6看过第一部，深为感动，时至今日才知道这部电影有续集。这部电影延续了第一部Vada寻找自我的主题，这部戏中她来到了洛杉矶，在Nick的帮助下通过寻访她素未谋面的妈妈的形形色色的朋友们，试图拼凑出自己丰满，立体的母亲的形象，从而更深入了解、认识自我，获得对自我身份的充分认同。整部片基调温馨，跟第一部的内容和风格还是非常统一的。