梦幻狂杀

    极度自我的人，内心所受的煎熬程度，往往比常人大，自虐的伤害程度也是常人无法想象的，这种人会被平常、懦弱的人称为——神经病！

    他们要么变成非常优秀的人才，要么变成被人追杀的疯子！“优秀”是应为他们努力的让自己去迎合大部分的平凡人；“疯子”是因为他们坚持了自我！
  
    无法满足自己不会伤害任何人的小小的愿望时，其实我们都会选择自虐，当那个时候我用刀片在自己手上割的时候，并不感觉疼痛；如果换在我没有任何想法而在自己手上割时，是非常疼痛的！而当他用刀子割下自己的指甲时，他并没有什么痛楚，可见他是多么爱自己的女儿的。

    所谓的正常人就是带着有色眼镜看人的，不敢制止身边抢劫犯的警察，凭什么去判断别人的对错和左右生死？难道小孩就一定要按照父母的意愿去过自己的生活？

    你不是我，怎么能了解我的荒谬？

       看罢本片，引发了我对于“时间是主观的还是客观的”这样一个深刻哲学命题的重新思考。因为，这部仅70余分钟的电影，让我前前后后用了三天，观影体验从内在时间维度讲就如同看了27次《僵尸肖恩》一般。
       这部电影不同于传统“闷片”，特别是欧系闷片。传统闷片，闷如《去年在马德里巴昂》，尽管对于电影剧情脑中萦绕的只有”WTF“三个字母，但起码对于画面和镜头剪辑调度来说，有一定观影基础的人都不得说赞一句”典雅唯美“。但对于本片，色调永远如同因腹泻而产生的baba一般，场景只有荒凉和破败，男主角不帅不酷不有趣也就罢了，导演连小女孩的角色都丧心病狂的找了一位长的颇具张力的小演员来演，还热衷于给剖死鱼、拨指甲这种R级镜头以“赖着不走型”的特写，摆明了要碾碎观众所有的观影快感！
        为了营造男主孤独脆弱的内心世界，本片准备了大量看似毫无意义的情节，你如果想问：“这到底是什么意思？” 答案显而易见：问一个幻听系精神病人的行为逻辑，你发神经啊？！！
        另外我给没看过本片的朋友的预警是：这部没有几句台词片子可能是你看过的最聒噪的电影之一！！！
        那么，既然如此，为何我还是为这部电影送上了华丽的四星呢？我没有找到科学合理学院派的理由，所以只能无可奈何的给出如下解释：
        我真是一位品味卓绝，充满内涵和深度的高阶影迷！


       

  About two weeks ago, I finished watching this movie, with little appreciation to the annoying metal background noise and little understanding of what the director wanted to tell us on earth. I supposed it's just a quiet simple and aimless movie, which told about a mental patient wanted to see his daughter, however, was misunderstood as a murderer to a little girl. The end of the movie, the policeman who chase him all along way finally killed him under the sight of his daughter and eventually knew that he wasn't the real murderer.
  I really didn't feel the movie had touched me in any factors contained in it. The plot, the camera shot, the performance, and the background music(noise?). So I didn't think too much, maybe the only memory the movie left me was some cruel bloody shots I even did not want to watch.

  And today, many things remind me of this movie.

  I'm in a mess. It seems everything comes together to beat me down at the very same time. I'm not going through this kind of feeling first time, actually, many times before. The depression strikes me fiercely and I know how pathetic I am I know maybe I never get what I want I know the edge of breaking down is so close to me every time, every time it comes.
  I hate what I am. I'm a sensitive man, far too sensitive, and frail. I hear noise in the silence and think about where I'm really going. I walk on the street and suddenly the huge loss strikes me without any reason, any premonition. I so easily break down at those very little things. Maybe I just want one thing, one single demand, and I couldn't get it.
  
  Maybe it's what he felt, I thought.

  And I suddenly understand the director, to some degree, that he express the story using the particular way, show the life of people we are not familiar with and we don't want to be familiar with, their feelings, thoughts, struggles, agonies.

  But the people who owns them still sink into the infinite darkness, step by step, nobody could save, even care.
 
  And I know.

有些人看上去是那么古怪

有些人看上去是那么暴躁

有些人看上去就对别人有威胁感

有些人看上去就象是个会犯罪的人

然而结果如何

火星人留在地球太恐怖了

还是回到火星比较好

风在林间穿行
以往是一段遗忘
遗忘一张可怜的脸
不管拥有什么
这是充满暴力的世界
你只能在幻觉中无力地逃亡
逃向误解的中心直至死亡

只有
风落向林间的落魄不变
只有
父女间不动声色的融解不变

向前迈出一步就可以改变
千万不要悲伤

First of all, this film is technically brilliant. The soundtrack and clastrophobic cinematography are both exemplar. Peter Greene's acting is remarkably controlled and nuanced, and steers clear of the usual excess of actors/actresses new to the realm of human aberrations.

Secondly, like many great films, "Clean, Shaven" is empathetic to the protagonists, without being sympathetic.

Thirdly, again, like many great films, it is open to different interpretations, rendering multiple "subjective" possibilities. Mine, for instance, is "Clean, Shaven" as a critique of the dark side of American Puritanism. More later, if anyone wishes to listen.