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On a rainy night in 1928 in a Pennsylvania factory town called Iverstown, Martha Ivers (Janis Wilson), thirteen years old, is trying to escape from the guardianship of her wealthy, domineering aunt. Her friend, the street-smart, poor Sam Masterson (Darryl Hickman), comes for her through her bedroom window, but Martha's aunt catches them. While Sam slips out unnoticed, Martha hits Mrs. Ivers on the head, causing her to fall down the long staircase and die. Though Sam saw nothing, the event was witnessed by Walter O'Neil (Mickey Kuhn), the son of Martha's tutor (Roman Bohnen), known as Mr. O'Neil. Martha lies about the incident to Mr. O'Neil, and Walter supports her.[5] Mr. O'Neil suspects what happened but presents Martha's version of events to the police, that an intruder is responsible; he makes use of his knowledge by having her marry his son. When the police identify a former employee of the aunt as the murderer, the two O'Neils and Martha help convict him; he is punished by hanging.[5] Eighteen years later, the older O'Neil has died. Walter (now played by Kirk Douglas) is the district attorney, while Martha (Barbara Stanwyck) has used her inheritance from her aunt to build a large business empire. Their marriage is one-sided; he loves her, but she does not love him. Sam (Van Heflin), now a drifter and gambler, stops in the small town by chance to have his car repaired after an accident. While waiting for repairs, at his old home, now a boarding house, he meets Antonia "Toni" Marachek (Lizabeth Scott), who has just been released from jail. She is later picked up for violating her probation by not returning to her hometown. Sam goes to see Walter, to see if he can use his influence to get her released. Walter is convinced Sam has returned with blackmail in mind, giving Walter a motive to run Sam out of town. When Martha reacts with joy to the news of Sam's return, Walter's jealousy provides an additional motive. Walter forces Toni to set Sam up. Sam is beaten and driven out of town, but he is too tough to be intimidated. When all else fails, Walter makes a half-hearted attempt to kill Sam himself, but is easily disarmed. Martha then inadvertently blurts out the couple's fears of blackmail, which prove to be groundless: Sam says he did not witness the death. Martha breaks down and laments that he left without her all those years ago, taking with him her only chance for love and freedom. Sam is torn between his old love and his new. Although he eventually forgives Toni for betraying him, he and Martha spend an idyllic day together, rekindling his feelings for her. Walter arranges to meet Sam to finally settle matters. Before Sam arrives, Walter gets drunk and Martha finds out about the meeting. When Walter falls down the stairs and is knocked unconscious, Martha urges Sam to kill him. Sam instead brings Walter around. Martha pulls out a gun and threatens to shoot Sam in "self defense" as an intruder. However, Sam gambles that Walter will not back up her story; he turns his back on her and leaves. Walter embraces and kisses his wife; then he points the gun at her midriff. Oddly relieved, she puts her hand over his hand on the trigger and presses. As she is dying, she defiantly states her name is not Martha Ivers, but Martha Smith. Outside, Sam hears the shot. He runs back toward the mansion, but sees Walter, holding Martha's body, shoot himself. Sam and Toni drive away together.
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Iverstown, a town you can ever hardly say goodbye 最喜欢这样的叙事节奏。芭芭拉就适合这类角色。外景均在洛杉矶拍摄。
小时候的青梅竹马看见女主杀人就跑了,另一个男孩包庇她跟她结婚,青梅竹马回来了她还以为可以再续前缘,想让青梅竹马杀掉深爱自己的丈夫,可青梅竹马早爱上别人了不干。这个故事说明,既不能自以为是惦记前任,又不能相信枕边人。果然是黑色爱情故事。
在黑色片蓬勃发展的年代,这部片并不突出,黑色片也的确不是刘易斯•迈尔斯通的长项,但是影片的开头和结尾都是十足的黑色片架势,唯一的问题是迈尔斯通没有把握好节奏,衔接有些松散。影片有两大“蛇蝎美人”芭芭拉•斯坦威克和丽莎贝斯•斯科特加盟,可看度很高,最重要的一点是一位传奇巨星从这部片冉冉升起—柯克•道格拉斯,虽然影片中他犀利的眼神与懦弱的角色稍有不符,但处女秀还算及格。
故事还是颇有发展空间的。Milestone似乎不是特别适合导演这类片子。另外这片BD画质还不如DVD....
这部是Kirk Douglas的银幕处女作。Lizabeth Scott出场的时候真像Lauren Bacall!
3.5星,喜欢这部电影里老道格拉斯的演技,他一直给人一种感觉老演些强硬又邪气的角色,但是这部电影里的他一反往日形象,在芭芭拉.斯坦威克面前将一个爱她爱到没有理智而又胆小有心机的小男人演的丝丝入扣。PS为什么这片里斯坦威克的脸有点婴儿肥呢。。。
stanwyck特别适合演高智商犯罪分子。。。
结局差点就毁掉道德观了,果然是性格决定命运啊...
超级好看!Sam和Toni就是江湖儿女,好喜欢这一对,Sam这么有魅力的男主其实在老片子里不少见。Martha超级好看而且眼熟,原来是Double Indemnity的女主,Walter是Michael Douglas的老爸!最后的结局其实几多反转,但是合情合理完全没有为转而转的感觉。
6/10。大量街头实景将空间从幽闭中解放出来,萨姆偶然认识了假释出狱的女友,他们背朝摄影机从街道步入的酒吧天花板清晰可见,两人居住的两间客房可以从中间打开门以共用一个浴室,这种打破隔绝的空间充满了生活气息,形成反差的是玛莎和沃尔特谋杀姨妈继承的豪华别墅,开场玛莎被姨妈动用全镇的人力逮回来时,外面湿漉漉的大雨伴随闪电震耳欲聋,营造出生存的幻灭感,虽然他们掌握了小镇的财富和法律,但合伙制造冤案的心魔困扰着沃尔特,他终日酗酒、异常无力,也只有玛莎带领曾经的玩伴萨姆参观这座别墅,空间才显得开阔和雅致。汽车为叙事提供了回环结构,萨玛因为汽车出事故到达小镇,他像一个异物入侵了玛莎的心理世界,她袒露了亲手谋杀姨妈的心魔,萨姆却抵抗了诱惑,任由玛莎及其操控的丈夫走向毁灭,最终由汽车把他的女友送出小镇、回归秩序。
绕啊绕也绕不出的怪圈。。。。Sam和那个姑娘的感情线太无聊了。。。尤其是在Missy和道格拉斯的对比之下。。。
Kirk's debut, just a supporting actor in it, Barbara isn't the absolute main role for the first half, on the contrary, Van Heflin and Lizabeth Scott are awesome, i am not quite obsessed with film noir, but the pace is just fine with me
Sam因汽车事故重回Iverstown 仿佛在时间的漩涡里做了一场十八年前的梦;引用Itunes的简介:No one is as good as Barbara when she is bad.
白蓓兰·史丹妃 be like: 没有人比我更懂double-crossing。这个结局一看就是为了避开审查才发展得这么扭曲。柯克被范赫夫林公主抱了,看到这一刻,我和史丹妃都呆了,只不过我越笑越开心,史丹妃的笑容逐渐凝固了。
Sam与Antonia的邂逅好像卡格尼&巴考尔,Martha這个角色並不適合Barbara,凭借后者姿色当蛇蝎女還不百發百中么~
Kirk Douglas的好莱坞首秀,演了个被爱情蒙蔽双眼,包庇杀人凶手,还试图滥用职权除掉男主角的小男人,这和他后来的角色反差可太大了。故事略松散,儿时玩伴意外回到小镇,却被以为是利用18年前的凶杀案敲诈勒索,一句话没说就把真相全招出来了,间接导致了结局的自我毁灭。和其他的黑色电影一样,其中是有宿命论的意味在的,但整体确实没什么意思,人物之间的互动也不足。
犯罪爱情题材加上蛇蝎美女,的确是黑色电影的套路,最后的自我毁灭也算做得彻底,可惜影像风格上稍欠黑色气质,内在情感支撑也很无力。
原来这是黑片啊。 。。我还以为是哪个通俗小说伦理戏呢。。。Kirk和Missy最后别样般配
0day-bd-PSYCHD
如果死板地寫,這會是一部黃金期古典劇本結構。第四者的構建是這個劇本的神來之筆,很基礎但又充分地將三角戀推向更有人性深度的層面,它會是一個教科書示範般的存在,以第四個人物做變量,將原本的三人發酵。男一號和女一號被寫出了精彩的變奏(如今看或許有點理所當然)幾種矛盾的融合,幾個關鍵的推進,幾個人物的轉變,都是很細膩的劇本寫作才可以做到的。在那個年代這樣一個故事,足以堪稱巧妙。