性爱自修室 第三季

剧情上主线不明，支线混乱，新角色的人设也很牵强。感觉女校长就一个妥妥的工具人，分明是为了让学生们进行“正义反抗”才存在的。真的完全无法从任何角度理解这个角色啊！就，给人挂大字牌在学校里走来走去是人干的事儿？还有，每个大人角色都超级夸张：都在自欺欺人地维持着体面，每时每刻都处于崩溃的边缘，演员们表情里憋着一股劲儿，恨不得下一秒就要开始表演歇斯底里大哭大叫。就算是以青少年为中心的剧也不必这样丑化和脸谱化成年人吧？ 以及，在内核上，似乎什么话题都要探索，什么价值都要挖掘，却忘了怎么把故事讲好。相比第二季的女权主题，这一季几乎没有作出任何有力量的输出。 尽管极力营造出everyone is in a mess的现实感，但很难引再起什么共鸣了，反而让我觉得很假。什么苦大仇深的原生家庭啦、艰难的身份认同之路啦、爱情与友情的反复试错啦——在这样一个开放自由、课业压力如此之小、课余生活丰富多彩的高中里，这一切都显像个屁一样！很多拖沓、夸张和莫名其妙的地方，看着下头。虽然我知道只要不完结Otis和Maeve就不可能好好在一起，但是为了拍续集这样乱写剧本良心不会痛吗？ 讲真有点失望了。网飞好像很爱拍这种披着精致外衣的浮夸烂剧，乍一看挺好挺惊艳，结果越往下越无聊，虚伪得一批。

1.关于新角色：霍普校长

霍普一上场给人的感觉就是干练，乐于倾听，要扭转学校的局面，让莫戴尔重新成为卓越的代名词，一种理性权威的形象，而且还声称自己支持女性主义。但是她对教育的态度；学生遇到问题提出建议，不去反思问题背后的根源，而是去解决提出问题的学生，简单粗暴的解决方式；对于舆论的处理等一系列手段，将其形象进行了一个大反转——她不过是一个披着开放民主外皮的保守分子，宣称自己支持女性主义实则有厌女倾向而不自知的一个女性。

霍普你了解什么叫女性化特质吗？

整季她从开始要树立理性的权威，到随着时间和冲突的爆发，这个理性权威的外皮慢慢褪去，暴露出她的无力和非理性权威的一面。

学生作为学校一个重要的群体，霍普是这样跟他们对话。

那什么是理性的权威，在弗洛姆《自我的追寻》中是这样说明：

理性的权威是由健全的能力产生出来的。权威受到尊重的人，对于授权力给他的那些人所赋予的使命，必定能够圆满的执行。他对这些人不需要加以威胁，也不须以神秘的特质去博取他们的赞颂。他只要做到有相当助益的、不剥削的地步，他的权威就算是理性的而且不需要别人的畏惧。理性的权威不但容许而且需要由受这种权威约束的人予以检讨和批评；理性的权威始终是暂时性的，它是否被接受端视其行使的情形而定。理性的权威以拥有权威者和受权威约束者双方的平等为基础，只是关于知识程度或某方面的特殊技能有所差别而已。

而霍普只是学校传统领导的一个缩影，他们一方由于自身利益的关系，规定服从是最佳的德行。一方面对问题，只会围追堵截，无视问题背后的根源，无视师生群体的真实感受，直至问题爆发，一发不可收拾。

2.关于“阳刚气”男性刻板印象

论述男性刻板印象的话语，你能想到什么。“男儿有泪不轻弹。”，“你这个样子，不像个男人。”“作为一个男人，你应该......，不然你不算男人。”就像对女性的规训“你应该......，不然怎么是个好女人。”而对女性的规训更细分繁杂，这里不细说。

强调刻板印象，压抑了个人去探索和实现自己潜能的可能，窄化了我们对真实个人的想象，容易产生错误的认知和判断。

当亚当去尝试彩妆，当他呈现出一种与刻板的“阳刚气”男性形象不同的感觉时，他其实是快乐的。

而别人评价他娘炮时，他正面去对话，其实反而是别人狭隘局促。

亚当父亲去珍家还书，在聊天中珍问你感受过快乐吗？亚当父亲说没有。当亚当父亲开始去反思，寻找生活的乐趣，尝试烹饪，感受到其中的乐趣，想同兄弟去分享，他的兄弟却嘲笑了他，亚当父亲的那种愤怒。

这段独白太精彩了。

3.生育意味着什么？

珍是我三季以来最喜欢的一个角色，她是那么的有魅力，睿智，跳脱，给予他人温暖与力量。

美颜暴击

但是面对高龄产妇的身份，与伴侣的不合，儿女的隔阂，她显得如此的疲惫和无力。比起第一季，第三季她真的变苍老脆弱了，她看起来好孤独。很多镜头都渲染了这一点。

抱抱珍

生育之艰难疼痛，生死一线之隔，即使是珍，这个看起来厉害的凡人，也无计可施。

珍产后大出血

有完美的母亲吗？没有的，有的只是暗地里咬牙担起责任的肉体凡胎的女性。

很讨厌“为母则刚”这个词，它给我一种道德绑架女性的感觉，这种身份的重量并没有解决现实的问题。刚生育完那种精疲力尽，麻药散退后撕裂的疼痛，胸部涨奶疏通时疼痛，下身恶露的排出，不能沐浴身体的黏腻等等各种不适。一群人围着皱巴巴的孩子说漂亮，生育完的母亲孤零零的躺在病床上，走来一个长辈说：“女人嘛，难免的。”一句话就把一切痛苦一笔带过。这是我在病房看见的情况，更别说怀孕期间的种种磨难。

选择生育的女性真的很坚强，她需要的不仅仅是话语的赞赏和理解宽容，她更需要实质上的行动和帮助。而关于生育中，孩子要出来时，她要去承受的那份痛苦，只属于她，无人能与之共享。

看到后面觉得霍普挺可怜的，上一次去医院咨询，她也是一个人去的，她的丈夫去了哪里。

养育孩子的方式很多，如果这种方式不行，为什么不可以换一种？你的身体不是一个工具呀。

不能生育意味着什么？会否定女性自身价值吗？

4.Girls help girls

当年长一些的女性同年轻的女性在一起时。

这一幕真的很感动。

在面对困惑时，年轻的女性可以安心向身边年长一些更有生活经验的女性寻求建议，年长一些的女性可以平和的去分享自己的看法，而不是用着教育和指导的口吻。

青春期的时候，想拥有的长辈。

同龄女性她们会聊些什么。

在面对原生家庭的创伤时。

前路迷茫时。

我好喜欢第三季里一些女性相处的感觉，是那么的美好。例如Meave和Aimee她们互相倾诉，互相扶持，当然她们也会吵架，互揭伤口，不理对方，可当对方出现问题，马上冲上前去，那种讲义气的feel。

第三季有好多感动温暖我的地方，截取了一些片段来分享。

这一季它表现的那么丰沛，让我看完一遍，还想再看几遍，去捕捉我一口气看完而错过的风景。

最后也是一些很戳我的细节。（如果在吃东西，请谨慎观看。）

我们应该相信我们每个人不是孤岛，我们偶尔可以看看周围：怎么世界有着残酷的一面，它时不时转身又让我们看见美好的一面。世界可真调皮啊。

而有时不妨坐下来，听听比自己年龄小一些，看起来没有那么权威的青年们的话语。

珍，你的儿子有在慢慢成长哦~

爱不是加于人身上的一种较大力量，也不是落在他身上的责任：爱是他本身的力量，藉此人使自己和外界联系在一起并使这个世界真正成为他的世界。

两位可爱的老师。

感谢你的阅读，我是Daisy呀~，最近新开了微信公众号“成河的漫想”，一起来玩耍呀。

Maeve的女房东Cynthia第一季就有出场，心情阴晴不定，和丈夫Jeffery关系起起伏伏，这季终于揭示了其源自于无法怀上孩子，加上意外导致当做孩子的猫咪死亡，过度悲伤只能通过疯狂的sex来逃避真实的感情

虽然剧情没有明说，没猜错的话女校长Hope她和丈夫关系并不融洽，所以想通过怀孕获得丈夫的关注，这也就是为什么每次去医院丈夫都没有陪同，坚决自己生，不做代孕和领养的理由

前校长Michael童年受到来自父亲和哥哥的双重霸凌，导致他压抑了内心的情绪，甚至无法从任何事中感受到快乐，好在他在这季认识到了之前的错误

Jakob上一段感情仍有隐情，妻子出轨的同时患绝症

…

总结一下下一季的可能方向

1.Otis和Maeve的long distance relationship如何发展

2.Eric在自我发现中是否有新进展

3.Eric父母如何应对老人带来的压力，如何团结家庭

4.Michael和Maureen之间是否还能复合

5.Adam和Rahim共同点可能比想象的要多，也许有走到一起的可能性？

6.Jackson要直面自己的性取向和喜欢的人冲突的问题，加上他不再游泳不再演歌剧之后的自我认同问题

7.Jackson的两个妈妈Sofia和Roz可能还处于离婚边缘

8.Lily和Ola的关系如何进一步发展

9.Jean的孩子大概率并不是Jakob的，这会是他们关系的一个炸弹

10.两个老师Colin和Emily交往一年开始同居，但是学校倒闭的话，等于两个老师都失业了

11.Aimee一个傻白甜富二代开始意识到自己的讨好型人格，不得不和男友分手，开始走向自我寻找的新道路

12.学校撤资，所有学生要面临立刻转学的问题，Viv带头造反导致学校关门一事留在档案里，将来申请大学可是致命记录

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这一季的话题相比前两季更现实、严肃了很多，已经很难再用轻松的态度去思考了

最大的争议在于，开放和个性的边界到底在哪，和第二季的sex drama仅限于学校内部不同，第三季的开放日是面对学校股东和全社会的，相较于禁欲的课程，似乎又走向了另一个极端

女校长Hope的所作所为并非完全不可理喻，一开始她只是要求学生着装得体，私生活低调，但是学生们软硬不吃变本加厉，才要求穿校服加上禁欲课，还不都是学生逼的。实际上挂羞耻牌这事起因确实很严重，飞车抛翔虽然喜剧效果拉满，但是险些导致一巴士学生加一两轿车一家人陷入严重车祸。一个学生还是未成年人就公开发表色情文学，导致社会舆论大肆抹黑学校。

Hope有几句话说的很不错，大意“我相信你的自尊和信念没脆弱到需要一个徽章来支撑”，“你们其实没有那么特别，社会并不关心你们个人的小问题”“我没比你们大很多，但是我们那一代人更懂分寸”

在社会和股东双重压力之下，校长必然要适当妥协。穿什么校服只是代表生理性别，跟心理性别、自我认同压根就没什么关系，一旦自认为受到不平等待遇就play the LGBTQIA/race card是某些群体的常见行为。在社会伦理、道德还没有发展到一定程度的情况下，就想要无底线的自由，跟私立学校股东作对，必然要自食其果，而显然这帮被前校长Michael睁一只眼闭一只眼惯坏的学生根本就没意识到

在公开日整的这一出，就显的过于激进了，性教育的目的是认识自己的身体，不要因为身体而感到羞耻，但和公开场合大谈性、到处画着生殖器的涂鸦完全不是一回事

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变性运动员参加非原始性别项目，还有某些人借着LGBTQIA政治正确的名头出入异性洗手间，但是另一方面部分国家地区的性少数群体依旧过着见不得光的日子

目前不管是中国还是外国，在性这个话题上探索还有很长一段路要走

他俩真的好配好配好配，Ruby一次次为他破例：otis衣服想穿啥穿啥、第一个带回家的人。Maeve和Otis确实不是一个世界的人，错过了三季了，有些人错过了就是错过了。Maeve这么敏感的人面对别人内心都有些自卑，但她和隔壁的天才励志少年惺惺相惜的感觉就很好啊。编剧真的没必要硬把第一季的CP掰回去。从第一季首播开始追的，真情实感的站过他俩的CP，现在觉得大可不必了，move on吧。

第五集结尾，三季了，男女主角终于发糖了！虽然我还是认为让男女主角齐齐大巴车落单，然后解开误会，这个桥段略显刻意，但估计编剧也想不到更好的方式了，第三季眼看过半，不得不提一下节奏，可以理解。

讲真，五集看完，我最同情的角色是露比。

我记得第二季露比跟男主有没有感情戏，露比应该只是一个单元女主角，那时丧心病狂的豆友门已经在嗑这两个人的CP，第三季还真的来了。两个人约p的设定，第三季一开始就来了，只觉得新鲜生猛。第二季，我印象里是没有。

为什么同情露比。第一是她一步步付出，一开始只当男主是炮友，后来男主要转正，她就让转正了。男主说受不了你们的奇装异服，露比也让男主穿他的便装。再后来露比破例在男主要求下带男主去了她的家里，男主一系列操作让她更喜欢眼前这个男人，最后表白说出，i love u。这下轮到男主退缩了，终究是真心错付。

第二是可爱，这是编剧的功劳。谁想到在学校里趾高气扬，各种嫌弃男主的校花级人马，在家里是嘴里一直念叨男主的名字不停。她一直是很欣赏男主的，因为她的骄傲，她没办法表现出。

第三，她的两个损友，也是神仙友情。上床都能一个短信赶到

第四，颜值，身材满分。

后三集的观感真的差了不少，我个人认为感情线有点混乱。小黑在尼日利亚出轨的理由我不是很能理解；奥提斯的有些行为真的表现得挺幼稚。夸张一点说，把男一男二两个角色都写的不讨喜了。那些一定是编剧以为的真实吗，私以为更多是狗血。

开放日那场戏原本应该是一个高潮位，不知道是我分心还是这场戏本身的问题，我觉得拍的一般，没办法让人有惊喜感，融入感。

后三集我觉得不够好的还有一点，几乎所有人的感情戏，成年人，青少年也好，都兜兜转转好几次，看得我实在有一些乏了。前优等生的感情戏，前校长的感情线，包括男主母亲的感情戏，反正就是分分合合。男主母亲最后那一个反转，我真的很不喜欢，亲子鉴定。what the fuck！

还有一段很水的剧情，女主闺蜜跟前校长老婆进男主母亲的屋找羊那一part，我觉得很水，影响整个的节奏感，那应该是最后一集还是倒数第二集了。

还有一点扣分的是，露比后三集的戏份，几乎没有，编剧是真的狠。冲这一点也得扣0.1分。

女主最后的选择是加分的，指听第二个mother建议去读书，虽然我不喜欢前面她在男主和轮椅男之间摇摆不定的戏份。我觉得第四季没有拍下去的必要了。几个青少年都得到了成长，不管是感情，还是性，那些最后没在一起的也是。至于学校的危机，还有亲子鉴定，不如不拍了吧，编剧大大。

奈飞续订第四季了，喜忧参半。

Sex Education has outdone itself once again. Season 3 still managed to bring bold, progressive, hilarious, quizzical, whimsical, dynamic, educational concepts, group of characters and stories back to us.

Spoiler alert!!!

Maeve- the brave

Maeve is one of my favourite characters in Sex Ed. She is a brave, defiant prodigy. She always knows what she wants, sometimes in doubt (mostly because of her shitty family- the irresponsible junkie mother and the reckless, unconstrained brother), she just needs a little push to step up and do the right thing. She cares about the meaning of life, the meaning of being right and wrong, and the meaning of working hard towards a goal. Her socio-economic background might hold her back but she has a lot to offer to the community. Being independent, business savvy and tough to her cohort is just one side of her, she is actually really gentle and aimiable to the people she loves- Aimee, Otis and her family. Don't be too harsh on her, Maeve is only seventeen. Think about all of the bad decisions you made when you were a teenager, besides her socio-economic background totally pulls her back.

I love how she encouraged Aimee and accompanied her to go to the police right away after being sexually harassed on the bus, she was being supportive all the way to the end. When Aimee was in denial, she cleared her doubts and explained the entity of the assault. Aimee shouldn't ignore it, she should face it and manage to resolve it. Maeve was being a really good friend.

When Dex panicked about his insecurities, Maeve explained how pleasure should be balanced on both sides, statistics doesn't matter, what matters is whether both of you are enjoying it to the similar extent. Kyle was right, they really excelled at giving advice.

Another thing I love about Maeve is how well-read she is. She loves reading about philosophy and feminism and thinking critically. She is able to use her talent and strength to achieve what she wants. Books definitely helped her to ponder and grow, even though she doesn't have an intact, healthy family to nurture her, she can manage to find a job and provide herself actual and mental sustenance. Although being bullied, she knows how to tell from right to wrong, helping Ruby to find the bully is more important than figitating on what happened in the past (when she was bullied). She knows the meaning of moving on. This is probably one of the reasons she choose to move in with Anna: " you can never be lonely with the company of a good book." And possibly a cup of really good tea.

When it comes to Otis, Maeve becomes insecure, shy and hesitant. Maybe it is because Otis is her first crush. Crush is always special and unique. Unlike other guys around her, Otis is not sophisticated or insensitive, he is generally decent, sweet, polite and slightly mentally mature. He would ask whether it is okay to make a move or do the appropriate things. Maeve probably thinks he is the sunshine in her 'miserable', insecure life. What she doesn't know is Otis thinks exactly same. Otis will always be there for Maeve, he runs to see her everytime. He waited for Maeve patiently when Maeve went to the abortion clinic and thought it was an actual date (Maeve invited him because she felt safe when she was with Otis). Otis was so attentive to Maeve after she came out from the clinic. If it weren't for Isaac's dirty move (deleting a private voice message on other people's phone is a vile decision), they are probably together by now. They missed each other because of it, when they finally kissed at the petrol station, everything was different- there were Ruby and Isaac in between them. They have been in different places for a while. And this time, they will literally be in different place- Maeve has decided to go to the States to follow her dream.

Otis Milburn

Ruby: "You are good at sex, Otis. But that doesn't mean I want to be seen in public with you."

Otis: "Well, I don't want to be seen in public with someone who is mean and uses people for their good sex skills! I have more self-repect than that. We are done!"

Lots of people were blaming Otis for not saying "I love you" back to Ruby, this part of audience empathized Ruby's feeling of getting hurt, but I would applause Otis for not saying "I love you" just because he could. Their relationships started with casual sex, Ruby was sad about her father being ill and disabled. She needs comfort and a means of venting out. A cute guy who is quiet, adequate, and most importantly, he has a sense of respecting female, was just right for her. He would cause no fuss for her. Otis is a decent, sensitive guy who knows about sex, gender and who would treat people respectfully and equally. He was taught well by his well-educated, well-read, sensible mother. He would ask whether it is okay to go further, which shows respect and care of his partner. The relationship between Otis and Ruby was like two people dancing tango- when Otis was trying to get to know Ruby, Ruby chose to shut herself and her family from him. When she finally realised that she was falling in love with him, Otis wasn't ready. The reason why he wasn't ready was because there was never a closure from his feelings for Maeve, in other words, he always likes Maeve, he said he loves Maeve in the voice message. This love didn't fade, it was only buried when he didn't receive any response from Maeve. He was frustrated, he was angry again with Maeve. Yet neither of them knew the message was deleted by Isaac, neither of them was at fault. Thus he knew that he can't say "I love you" back to Ruby when he still has feelings for Maeve, it would not be right. It is not fair for Ruby, it is not fair for himself, and it is not fair for his love to Maeve.

Hope Haddon

Good morning, Moordale! I am your head teacher, Mrs. Haddon, but you can call me Hope. The first thing you need to know about me is that I used to be sitting where you are now. Literally. I went to Moordale too. I've achieved a lot since then. Two degrees, teaching positions at some of the country's top institutions, and by 28, I became the youngest head teacher in the UK. But the years I spent in this building were the best of my life. This school not only encouraged me to excel academically, but it truly allowed me to find my purpose, which is why it has been so hurtful to read some of the horrible things written about Moordale in the press. I don't know what went wrong or how we ended up here, but I do know, it changes today. I can promise you today, if you work hard and you take pride in your school, I will get Moordale and your futures back on track.

I believe when everyone heard Hope's speech at the asembly, they would assume that she was here to bring hope to Moordale (it's corny, but people need it). Eric thinks the head teacher is cool ("teachers are not cool, but she is!"), Ruby loves her bold lipstick colour, everyone adores her by the way she talks. The speech is absolutely a crowd pleaser. And when she asked to meet Maeve and Otis, she complimented their idea of the sex clinic as "entrepreneurial and shows business savvy", she cares about students' career aspirations and passions, this was something the previous headmasters didn't mention or care. Students love cool, considerate and thoughful adults who would put their well-beings (physically and mentally) in the first place. This was why Vivienne was so keen to become Hope's eyes and ears wherever she goes because she worships Hope and sees her as a successful career woman (also she was determined to get into a good university).

Now technically, Hope didn't do anything wrong. She just did what management would usually choose to do for the sake of the whole picture, which was to get sponsorship and funding for the school, particularly for the students and teachers who desparately needed it. She has to be meticulous about her decisions and be deferential to the Board. The Board chose her to make changes and she needs the Board to back her up. Bureaucracy always exists in a top-down system, Hope just did what she was asked to do, she was being realistic. However, adolescents wanted their individualities to be seen, to be heard, to be unique- idealism and realism don't see eye to eye. After Hope has shown her intention to maintain good PR for the school from the press explicitly, she started to be oppressive, she became harsh on the students' individualities- non-binary sex intolerance, LGBTIQ unfriendly, alien hypersensitivity, draconian on-campus disciplines, naming and shaming the rebels. The antagonism between students and Hope climaxed when she negated Vivienne's thoughts and shamed her peers. Vivienne can't endure her actions anymore. They demolished Hope's idea and system.

Jean Milburn & Aimee

I can't help but sharing Jean and Aimee's conversation, it's very encouraging and heartwarming. Their interactions are just so fun to watch. Jean is such a professioanl sex psychologist. I just appreciate the way that she guides aimee and assists her to navigate through the pond of confusion, self-doubt and complication.

Thank you for reading my article to the very end. I might add more when I watch it again.

Please let me know if you would like to repost my article, I reserve the orginal copyright. Thank you.

Angel

21/09/24

A boy I don’t like told me to write from the heart

I didn’t know what that meant

Beacuse I never knew I had one

I never knew I had a heart

Till you said you kissed a boy I haven’t met

Then I knew I had a heart

Because I thought it might stop

And when I thought my heart might stop beating

I realized it had always been there

But it didn’t know how to feel

Until I thought about losing you

I knew we couldn’t last forever

I was waiting for this day

But I hope we can fix things

And if we can’t

I will always thank you

For showing me I have a heart

摘自个人公众号，公众号ID:水星素描

（其实大部分是从我的公众号搬过来的，第一次在豆瓣发这么长的剧评呀。公众号里面还有很多以前发过的好看的剧的推荐文章和新奇的想法，包括一些日常哈哈哈，欢迎大家关注哟～）

——我来推荐这部答辩超高评分的网飞出品英剧了。 我是去年暑假看的前两季，今天一口气看完了第三季。刚开始还有点懵，但是看第一集的时候很快就回忆起来了每个人身上发生过的故事以及他们的性格特点，所以这剧的人物塑造还是很行的！ 第三季的主题就是那些老套却百看不厌的东西：“追求真爱”“做你自己”“活在当下”。 他们每个人都那么真实，普通，拥有复杂百变的感情…… 可以说我在每个人身上都看到了自己。 但不同的是，不管是因为国情还是他们实在超前了我们太多，看到画面里这群17、18岁的teenagers对于性的开放讨论和勇敢的探索，对爱情和友谊的追求和维持以及和家长老师的对抗等等，都让我既佩服又感动... 虽然说我还没有太多关于这方面的问题，但在去年暑假看完一、二季后我确实认真了解了很多这方面的知识。至少把这个话题当作很正常的事情来看待和讨论，一点都不羞涩，对自己也有更深的了解。 从这部剧里面我学到了很多，我相信这些在我以后的生活中肯定会派得上用场。 总之，我真的推荐，大学生及以上年龄段的人都去看看这部剧，而不是porn，which我确实一部都没看过。 为了防止剧透，就简单谈谈这部剧吧： 作为群体影像剧，它讲述了一个不那么普通的校园里的故事，这个学校的学生似乎对sex有许多问题，校长换了一个又一个。他们的力量似乎还是太渺小，像他们这样的学生不多，而大人们站在不同的角度和身份，对他们的态度也截然不同。 他们和长辈碰撞产生的火花是那么精彩，不管是怕父母知道自己是同性恋还是不愿意和父母沟通，被家庭暴力...最后通过他们的努力，朋友的帮助，彼此的理解——大人和孩子都得到了好转，各自做出改变。 首先是女主Maeve/梅芙： “高智商，低调，善良，缺钱，家庭背景糟糕，还有些拒人之外...” 但庆幸的是她拥有最诚挚的爱，也很认真地爱着。她母亲吸毒，她却拥有最正的三观，自律超常，还把她的妹妹保护的很好。 比起她和男主的感情线，我更喜欢她和她的闺蜜的友情线： 她们的生长环境不同，却在见证彼此最“渣”最过分的一面后还是坚定的拥抱彼此，指出对方的错误，然后一起变得越来越好。 印象最深的是她们和好后，艾米说： “我们当彼此的妈妈吧。” “好的，妈妈。” “谢谢你，妈妈。” 这就是我心中朋友的样子，这也让我想起了我的好朋友。 她们真的就是自己给自己选的家人。 然后是男主Otis/欧提斯: “善于沟通，乐于帮助别人也从中获得成就感，有主见...” 说到他和梅芙的感情线，咋感觉和《normal people》有点像喃。两个人兜兜转转，最后发现对方才是soulmate。期间他们两个人都和其他人交往了，最后也伤了他们的心。 但是他们的伤心都只提了一下，我就在想，只是因为这部剧的主角不是他们。每个人都是自己人生的主角，他们一定也从中学会了些什么，熬过了无尽的痛苦深夜，甚至可能犯同样的错误... 于是，我们把这叫作“青春”。 而在青春里面，谁都被允许犯错。 但是，我觉得现实中这样的情况不多，感觉大家错过了就是错过了，深情被嘲笑，甚至出来了“舔狗”这个我至今都不太理解的词。 那这个被男主辜负的Ruby是什么样的一个女孩呢： “高颜值，标准的校园女王，对待感情却认真而热烈，敢爱敢恨...” 我最欣赏她的是，她在得知男主只是很喜欢她而说不出来“I love you”之后，并没有觉得自己不值得。失恋之后叫上自己的朋友大哭一场，又重新拾起尊严，对于男主的道歉，只是回复到： “I don't hate you,it'll be easier if I hate you.” ...

还有我很喜欢的一对： 他们互相尊重，欣赏，了解...哪怕最后还是因为queer，她必须停下来，也是带着敬意而停止。

他们都是同性恋，本来是情敌，一个把另一个的男朋友抢走了，相处后却发现对方其实不是自己想象的那么普通或者讨厌。 感情是流动的，这句话适用于所有人吧。

害。

再分享几个剧中我很喜欢的片段： （都是用心截图和选择的，我看到的时候很有共鸣。可能因为正在经历，或者说，我也只是个teenager啊） 1.

最后的片段

2.

简直就是我想对我初恋说的...

3.

我们真的很幸运了。

4.

好喜欢欧提斯的妈妈！

最后，看完三季，我想说的是： 1.我们真的很幸运，一定要懂得感恩。 2.珍惜不是说说而已，要用行动。 3.青少年还是学习为主，片里演的只是他们的一部分生活。 生活一定不止有学习，但不好好学习，或者说不去学习自己擅长的东西，长点本事，那往后的人生一定不会太好过。 Thanks for reading.